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Similarly, the underlying plot thread — in which all the characters feel guilt about their final encounters with the family’s late patriarch — was so neatly resolved (Paul, a newspaper columnist, magically addressed their concerns through a posthumously discovered column) as to feel a bit cloying.
For the most part, Sagal pulled off the most demanding aspects of the episode, even saddled with dialogue like ‘We don’t deserve this” as she questions God about the unfairness of life.
Additionally, Davidson's level-headed Kerry is the perfect foil for flighty Bridget.
Completing the triad of comic teens is Martin Spanjers (HBO's True Blood) as younger brother Rory.
And now, one suspects, the show will pretty quickly fade.
In a media culture hurtling by at an increasingly frantic pace, a percentage of the audience can be counted upon to seek out any such novelty.
Their curiosity satisfied, much of America will move on, letting the made-up Hennessy family and those who loved the actual man grieve privately, offscreen.
But they are also hitting all the notes of somewhat typical teen behavior.
And because they are teenagers, the comedy comes back quicker than it does with the other characters.